Erasure

Image of Andrew McCall's solid light sculpture You and I - Horizontal II (2009) at Australian Centre for the Moving Image
You and I – Horizontal II, Anthony McCall (2009). Photograph by Richard Baxter.

Read Part 1: Missing Person

Read Part 2: Forrest Trail

Read Part 3: The Droste Effect

Read Part 4: The Order of Things

Read Part 5: Rift Valley

Chaos: When the present determines the future, but the approximate present does not approximately determine the future. Edward Lorenz

Every news channel was streaming the very little details of the case that were known, each trying to get a more ‘exclusive’ angle than their competitors.

Channel Z8 was running an interview with a local grocery store owner.

‘I’ll never forget when that girl disappeared. What was it seventeen, eighteen years ago? Whole life ahead of her, and boom, suddenly gone, just like that. I’d been watching the cricket when one of my customers mentioned her remains had been found. What I want to know is- how the hell did she end up in Siberia of all places? Long way from schoolies week on the Gold Coast…’

The journalist probed for as much anecdotal fluff for the news piece as he could get  ‘You say you knew Eckles? Can you describe him Albert? Can I call you Al?’

‘Yeah, call me Al. He was just like everyone else in the neighbourhood- nothing unusual in his purchases, milk, eggs, bread, fruit, knew enough about sport to keep up a conversation. But he did have a strange tendency to disappear for long periods of time…’

Fiona rolled her eyes at the familiar face getting his 15 minutes of fame. He was milking it, and the journalist was relishing this ‘exclusive insight’. Switching the channel, she saw news item after news item on the same rolling coverage of the case that was set to change the world. Continue reading

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Rift Valley

sketch of train tracks winding along a coastal scenery to illustrate a story set on a transiberian train tripRead Part 1: Missing Person

Read Part 2: Forrest Trail

Read Part 3: The Droste Effect

Read Part 4: The Order of Things

My last terrestrial memory is that of zooming plains through the dirt-speckled windows of the cabin we shared. Crossing the mass of land, and multiple time zones, it was my unwitting farewell to life on firm, solid ground, although I didn’t know it at the time.

I had gone along with Liam’s suggestion to take the trip, guided by a strong sense that everything I would be doing was destined to unfold, that I only needed to go with the flow, so to speak. We shared our second-class quarters with a soldier on his way home from a posting in Moscow, and a grieving widow heading to Irkutsk to collect the body of her fisherman husband who’d met his end while navigating the cruel seas. In that confined space, I’d learnt a lot about my Russian cabin mates, with crude sentences pieced together from the weathered Lonely Planet, and the outpouring of human emotion born of rowdy card games and shots of vodka. Liam however, remained a mystery. Continue reading

The Order of Things

Image inspired by a vintage lotto card game produced by galt toys, to illustrate a story set in a primary school room 

Read Part 1: Missing Person

Read Part 2: Forrest Trail

Read Part 3: The Droste Effect

The bell rang for recess and the children bustled out of the classroom, leaving me with some peace and quiet, and a mess of watercolours, textas, and butchers paper to tidy. It was then that an otherwise ordinary day was made extraordinary by her arrival.

‘Hi, my name is Sue, Sue Blackmore. We need to talk.’

I couldn’t do much more than nod, my nervous excitement making my eyes fix in a stare, a blink too much to muster in the moment, with all my energy consumed by trembling hands and the array of thoughts her visit sprung on me. Continue reading

Back to School

Black and white sketch of a lioness, illustrating a story of courage in returning to a work in progress

After ‘winning’  NaNoWriMo 2016 with 50,012 words, to say I burnt out would be an understatement. Today, 9 months after the grueling 1700 words per day and just a day before commencing the 3rd Draft Novel Writing Course with The Writers’ Studio is the first time I have looked over what I wrote, and much of it ain’t pretty.

Below are just a few scenes I edited in celebration of this return to my work in progress. It will be an intense 7 months, but somehow I don’t think it will be as crazy as November 2016.

Why the lion? Aside from why not, I’m a Leo, it has taken some courage to commit to this course, and this was a beauty we saw at Melbourne Zoo a few weeks ago. I may be projecting but I think there was a yearning in his expression- for the wild? for the plains of the Serengeti? for her true nature to shine? for that complete novel in the not too distant future? Continue reading

Parenting Haibun

Watercolour and ink illustration of a helicopter rescuing a heart. Used to illustrate a haibun on parenting.

We have a little ritual most evenings where at some point of cuddles on the couch while reading before bedtime, my son will call out for his dad’s ‘rescue helicopter’, giggling and asking:

‘can you rescue me daddy?’

From the other room, dad’s chopper blades can be heard to the growing squeals of my boy as he anticipates the helicopter ride once he’s free from mamma’s arms. They fly around the room and ‘land’ on impossible surfaces— the keys of the piano, the dining table, the top of the child proof fence separating the lounge room from the art studio. All fun, light and laughter no matter how many times we play out this rescue, but the symbolism of his request for a ‘rescue’ from my embrace doesn’t escape me. Continue reading

The Final March

Sketch of boots and ant to illustrate a microfiction story

The golden days of summer picnics with sweetly scented jam, crusty bread, cold slices and chilled fruit platters live only in our memories – a clear line in our collective consciousness separating time before and after the incident we refer to as The Final March.

The chemical weaponry disoriented many of us, sending the synchronised beat of our hearts off kilter, heady toxins muting all our sensory navigational cues. Only some made it back to the nest where we now reminisce about the old days and remind our young to give the big house a wide berth as we continue what our ancestors have done for millenia.

We hush and tread softly when within sight of the place of carnage, paying our respects to generations wiped out at the callous hands of the then new owner. Marching in single file, we lift far more than our weight.

“No such thing as a free lunch” he’d huffed, but the cost of that meal was an exorbitant act of insecticide.

 

This story has lived in my phone’s memo app for months. It was time to release it. I may add an illustration at a later date.

First published July 19, 2017. Illustration added August 8, 2017.

The Droste Effect

watercolour of a vermouth bottle, in the style of droste cacoa, beside a martini, painted in sepia tones, illustrating a story in which the 'droste effect' is alluded to

Read Part 1: Missing Person

Read Part 2: Forrest Trail

Garnishing a Blood Mary with the stick of celery I’d bought at Al’s Corner Produce, I had no idea where I was, or where the hummus or Forrest were for that matter. Swallowed in the dark nothingness, once I’d lost my grip on Forrest, I was alone for what felt like hours. Time enough to regret my meddling that had caused all this. ‘It’ was what I wanted, but now that I was in It, feeling like the same person, but dressed differently, and from all appearances, working at a bar, I wasn’t sure what kind of mess I had created. Continue reading

Storyteller Series

I was lucky enough to be featured on Nadine Tomlinson’s Storyteller Series. Nadine, a friend, fellow blogger and speculative fiction writer asked great questions on creativity and life — are there any other topics worth discussing? If you want to read my thoughts on those topics, head over to Nadine’s blog where you’ll also find posts in which Nadine shares insights on the creative process and writing inspiration. Thanks Nadine, it was a real pleasure!


Welcome to Storyteller Series, where I highlight writers, authors, and those who tell, publish, and promote stories. This month, I’m featuring Mek. She was born in Addis Ababa, Ethiopia and emigrated to Sydney, Australia at the age of six. After taking the safe route of a chemical engineering degree rather than exploring her love of art,+…

via Mek: An Artistic Storyteller — Nadine Tomlinson • Speculative Fiction Writer

Excess Baggage

Photo of a pile of dirty dishes in a small sink with a single tap, used as a micro fiction prompt
Photo by Scott Umstattd on Unsplash

We stopped at Novosibirsk and waited on the  platform; as with all other stops, there were locals selling soda, peanuts, pickled fish, two-minute noodles, and the powdered mash potato that had been my staple; I’d get hot water from the surly samovar attendant and with a little stirring, giving me that sense of having cooked a meal, I turned out a delicious starchy mush that paired nicely with whatever vodka was going. Continue reading

Tales from the Diaspora

I’ll admit it, I hung my parents out to dry long ago. However, I am not immune to the occasional glimmer of compassion brought on by insights into the complexity of their lives and factors that contributed to making them the people I know. A recent glimmer can be traced to a late onset appreciation of The Weeknd’s I Feel it Coming. One minute I was grooving to my new favourite song, switching from the original to alternate versions including an 80s version complete with hair and outfit of that era. I also came across a cool trick to edit the url of the original to be transported to an ambient verison but I can’t remember how to do it- please let me know if you know what I’m talking about.

While I was wading in the sink hole of ProcrastYounationTube™, a video by Eritrean-American Bethlehem Awate, titled When Habesha Parents Discover the Weeknd…caught my eye, ‘Habesha’ being a loose term for people from the highlands of the Horn of Africa. For the sake of simplicity, and because I am not a scholar in the area, let’s say it is a loose umbrella term for Ethiopians and Eritreans. Abel Makkonen Tesfaye, better known as The Weeknd is Canadian of Ethiopian descent. I was born in Ethiopia, moving to Australia at the age of six where I have since spent most of my life, save for a four year stint in Europe. Continue reading

Debrief: Session One

Photo of an eerie house with a bunny clutching a carrot seen in the windowsill. Used to illustrate the idea of an enticing opening of a novel.
Photo by Ksenia Makagonova on Unsplash

This is the first of what will be seven updates on the seven month 3rd draft novel writing course I am currently undertaking. The course is divided into seven sessions, each requiring a submission to my tutor. Once I have digested the session feedback, I’ll be posting on course content, my novel progress and what I have garnered from my tutor’s feedback. Continue reading