On the Pulse

In this season of mass consumption and mass waste that leaves our planet hungover and bleary-eyed long after the party’s over, I thought it timely to share a post I wrote early last year on the impact of food choices on our planet. Further to food choices are how we source and package our foods – I have recently taken an interest in zero waste and would love to hear from people who are living a zero waste lifestyle.

Work in Progress

on the pulse(3)

We’re part way into 2016, and being February, you probably already know it’s the lunar Year of the Monkey, but did you know that 2016 is also International Year of Pulses (IYP2016)? To raise awareness of the initiative and celebrate those goodies that pack a punch in soups, dahls, curries, salads and all manner of meals, bloggers What the Ducks! and Palm Rae Urban Potager organised a blogger action day for today, and I’ve joined the bean wagon! I learnt of it via Janice at Ontheland.

The Food and Agricultural Organisation (FAO) of the United Nations (UN) states that designation of IYP2016 by the 68th UN General Assembly:

…aims to heighten public awareness of the nutritional benefits of pulses as part of sustainable food production aimed towards food security and nutrition.

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La Porte de L’Enfer

Photo of a wooden door on a stone building, shut with a chain and padlock. Used as photo prompt for flash fiction.
Photo by Bogdan Dada on Unsplash

I’ve lost count of the number of times ‘the only thing private are his thoughts’ has been muttered by passers-by believing their words to be original and witty; while I retain the dignity of private thoughts in my nakedness, the pleasure is dimmed somewhat by the many distractions that rarely allow for a single coherent train of thought: visitors taking photographs; amateurs and professionals alike making sketches I’ve learnt to not take personally when certain proportions are downgraded to fun size; pretentious conversations about art; scrunched up pages of a sketch book hurled at me; crude paper planes projected with whimsy in my direction, their sharp points denting on impact, gravity ensuring I never receive the message; heads bowed in studious attention toward a Lonely Planet within my line of sight, page open to an image of me as the reader verifies the importance of their visit; and of course, that originality and wit rearing its head again with poses mimicking mine, taunting me as the comedian’s jaunty limbs move in and out of freeze frame with fluidity that escapes me.

As the sun sets on the grounds and the last of the visitors makes a beeline to the gift shop, the first muted signal of evening’s silence cloaks me like a lovers embrace, something akin to a tempered version of that kissing pair who don’t get a moment away from one another.

With the quiet of closing, when left alone with my thoughts for a spell, I’m grateful for being on the right side of the real gates of hell; knowing the screams from that garden shed will take their queue when the bells toll at midnight, telling a tale of a more brutal inferno than our maker envisioned, the fury and despair of forced retirement where the wounded, the shattered, and those with chips on their shoulders too large to repair are banished for eternity.

 

Story inspired by Sonya’s Three Line Tales, Week 97 and memories of a visit to the Musée Rodin in Paris a long time ago.

 

Impartiality

Photo of three people riding horses through the bush in an Australian cattle station. Used as a prompt for microfiction.
Photo by Tobias Keller on Unsplash

In the unseen timelines of the mortal trio, that day was marked as the occasion of the light dimming in each of their hearts forevermore, disconnected as they were from the source.

They’d slunk out of the forest triumphant, leaving behind an unrecongnisable world: sacrifices made in the name of gods they didn’t believe in, although flashbacks were tinged with fear of the wrath of those same dieties.

Meanwhile, the sun continued to rise and set, bearing witness to daylight thievery and acts of grace with the same silent intensity.

 

Inspired by Sonya’s Three Line Tales Week 95.

Storyteller Series

I was lucky enough to be featured on Nadine Tomlinson’s Storyteller Series. Nadine, a friend, fellow blogger and speculative fiction writer asked great questions on creativity and life — are there any other topics worth discussing? If you want to read my thoughts on those topics, head over to Nadine’s blog where you’ll also find posts in which Nadine shares insights on the creative process and writing inspiration. Thanks Nadine, it was a real pleasure!


Welcome to Storyteller Series, where I highlight writers, authors, and those who tell, publish, and promote stories. This month, I’m featuring Mek. She was born in Addis Ababa, Ethiopia and emigrated to Sydney, Australia at the age of six. After taking the safe route of a chemical engineering degree rather than exploring her love of art,+…

via Mek: An Artistic Storyteller — Nadine Tomlinson • Speculative Fiction Writer

Excess Baggage

Photo of a pile of dirty dishes in a small sink with a single tap, used as a micro fiction prompt
Photo by Scott Umstattd on Unsplash

We stopped at Novosibirsk and waited on the  platform; as with all other stops, there were locals selling soda, peanuts, pickled fish, two-minute noodles, and the powdered mash potato that had been my staple; I’d get hot water from the surly samovar attendant and with a little stirring, giving me that sense of having cooked a meal, I turned out a delicious starchy mush that paired nicely with whatever vodka was going. Continue reading

Tales from the Diaspora

I’ll admit it, I hung my parents out to dry long ago. However, I am not immune to the occasional glimmer of compassion brought on by insights into the complexity of their lives and factors that contributed to making them the people I know. A recent glimmer can be traced to a late onset appreciation of The Weeknd’s I Feel it Coming. One minute I was grooving to my new favourite song, switching from the original to alternate versions including an 80s version complete with hair and outfit of that era. I also came across a cool trick to edit the url of the original to be transported to an ambient verison but I can’t remember how to do it- please let me know if you know what I’m talking about.

While I was wading in the sink hole of ProcrastYounationTube™, a video by Eritrean-American Bethlehem Awate, titled When Habesha Parents Discover the Weeknd…caught my eye, ‘Habesha’ being a loose term for people from the highlands of the Horn of Africa. For the sake of simplicity, and because I am not a scholar in the area, let’s say it is a loose umbrella term for Ethiopians and Eritreans. Abel Makkonen Tesfaye, better known as The Weeknd is Canadian of Ethiopian descent. I was born in Ethiopia, moving to Australia at the age of six where I have since spent most of my life, save for a four year stint in Europe. Continue reading

Erasure

Image of Andrew McCall's solid light sculpture You and I - Horizontal II (2009) at Australian Centre for the Moving Image
You and I – Horizontal II, Anthony McCall (2009). Photograph by Richard Baxter.

Read Part 1: Missing Person

Read Part 2: Forrest Trail

Read Part 3: The Droste Effect

Read Part 4: The Order of Things

Read Part 5: Rift Valley

Chaos: When the present determines the future, but the approximate present does not approximately determine the future. Edward Lorenz

Every news channel was streaming the very little details of the case that were known, each trying to get a more ‘exclusive’ angle than their competitors.

Channel Z8 was running an interview with a local grocery store owner.

‘I’ll never forget when that girl disappeared. What was it seventeen, eighteen years ago? Whole life ahead of her, and boom, suddenly gone, just like that. I’d been watching the cricket when one of my customers mentioned her remains had been found. What I want to know is- how the hell did she end up in Siberia of all places? Long way from schoolies week on the Gold Coast…’

The journalist probed for as much anecdotal fluff for the news piece as he could get  ‘You say you knew Eckles? Can you describe him Albert? Can I call you Al?’

‘Yeah, call me Al. He was just like everyone else in the neighbourhood- nothing unusual in his purchases, milk, eggs, bread, fruit, knew enough about sport to keep up a conversation. But he did have a strange tendency to disappear for long periods of time…’

Fiona rolled her eyes at the familiar face getting his 15 minutes of fame. He was milking it, and the journalist was relishing this ‘exclusive insight’. Switching the channel, she saw news item after news item on the same rolling coverage of the case that was set to change the world. Continue reading