The Droste Effect

watercolour of a vermouth bottle, in the style of droste cacoa, beside a martini, painted in sepia tones, illustrating a story in which the 'droste effect' is alluded to

Read Part 1: Missing Person

Read Part 2: Forrest Trail

Garnishing a Blood Mary with the stick of celery I’d bought at Al’s Corner Produce, I had no idea where I was, or where the hummus or Forrest were for that matter. Swallowed in the dark nothingness, once I’d lost my grip on Forrest, I was alone for what felt like hours. Time enough to regret my meddling that had caused all this. ‘It’ was what I wanted, but now that I was in It, feeling like the same person, but dressed differently, and from all appearances, working at a bar, I wasn’t sure what kind of mess I had created. Continue reading

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FAQ: Why?

Writing is a fairly sedentary, safe past time. The risk of a paper cut, callouses from using a pen, or carpal tunnel from a poor workspace set up can be designed out, or at least managed, to minimise their likelihood. But how about putting that writing out into the public domain? as soon as I hit ‘publish’ or ‘send’ in the case of text or email, those words are out there and wide open to interpretation. What is the risk in that? Where do I begin?

Rejection, failure, judgement, vulnerability, revealing a poor grasp of spelling and grammar (yelp! the imposter syndrome!)

…the list goes on but at the heart of all that is the ego and a need for validation- like my work, like me! What is the consequence of that ‘failure’? Well, if I try to be rational about it- failure to have a receptive audience for my writing is really as inconsequential as a paper cut, it’s just that it doesn’t feel like it at the time. It is crushing and the sting remains long after the wound has healed over- sometimes creating enough scar tissue to make you lose heart and stop. But no, not me. I will embrace rejection and find the value in the lessons it provides. Continue reading