The Run

Aerial photo of a graduating class, three line tales microfiction prompt
Photo by Faustin Tuyambaze

What got me out of bed and into the booth each morning was the thrill of monitoring ceremonies in the Grand Hall; as a rookie, I’d made the mistake of believing those facing away from the masses were the ones to look out for- I’d zoom in on them and make a concerted effort to track the next 5, 10, 20 years of their lives, although it would prove futile; mulling over milestones in their later years, I returned to the Grand Hall footage where with the fortune of hindsight, I drew a correlation between swimming upstream in old age and free flowing movement at graduation; squint and scan the crowd and you’ll see a distinct yellow aura marking them out, all facing the same direction.

The next phase was tracing their descendants and handing over the dossier to Dr Woodrow, chief geneticist at Project Anadromous, a clandestine government initiative that led to the design of  biological prêt-à-porter: subcutaneous cloaks fashioned to enable adaptability for a return to the so-called fresh waters of the wearer’s youth, to breed and die, maintaining population equilibrium- a profitable ‘industry’ that did away with nasty taxes, handout recipients, and threats of litigation- therein the fun stopped, gone were my days of naïve people watching, I became the watched.

Now, trapped by the consequences of my actions, I am stuck in a for-loop, endless iterations of life cycles that never deviate from the tedium of days begun in the murky gravel beds of oxygen limited fresh water, graduating to the stinging spray of brine that stretches to the horizon before I make a begrudging return to natal waters, a sacrificial offering for the next generation, treading softly on finite resources while amassing fortunes for the 0.1 percent who’ve had the fiscal and hence genetic fortune of defying the run.

 

Thanks to Sonya’s Three Line Tales, Week 68 for the inspiration. Woodrow, my sci-fi muse makes a cameo here 🙂

Orizuru’s Winter Carousel

painting of cranes, by Józef Marian Chełmoński used as microfiction prompt
Cranes by Józef Marian Chełmoński, 1870

As is their nature, in the cold of winter, they leave for warmer shores. Fortunately, I’ve committed to memory their aerial dance and play it back in slow motion- a frame a minute to allow me to meditate on the aching beauty of their elegant necks and snow-white and black-tipped wings that gracefully stretch for one thousand years and back, thrusting them forward like a ruby crowned dart, before landing with a victorious V, framing the clouds that keep them company.

By the window, I watch and wait, it is all I can do, weighed down by dust and branded by coffee ring marks left on the torn page of the lined notebook that was folded to give me joints with minimal range of movement. The sharp creases of my form serve as lines separating me from them. Pierced and suspended, I float on my winter carousel, replaying memories of the cranes to bide time until the taunting promise of flight that summer brings.

 

164 words for Jane Dougherty’s Microfiction Challenge #3. Of course critical feedback appreciated, Jane. I went a little abstract with this one and was aiming for poetic prose.

Postscript 08.04.17: Originally published 5th July 2016. Reposting as I am considering additional instalments (shout out to SB!).

Young Hearts

Heart shaped waffle prompt for Sonya's three line tales week 54, micro fiction
Photo by Roman Kraft

It seemed the most fun in the fairground was in the small kitchen where Aaron and I worked over the summer; preparing batter and churning out waffle after waffle, talking about our dreams, confiding our fears and laughing the laugh of two people on the same wavelength, a side glance enough to set off a shared, unspoken joke and a fit of giggles. When it quietened down, he’d create masterpieces – a kitten with waffle whiskers, a hot air balloon, and bravely, a telephone- I’d noticed the nerves when he asked for my number as I bit its curly waffle cord, the memory a welcome distraction, my mind wandering, pondering how dull that telephone would look if he were to make it now- imagining straight crisp edges, chocolate sauce dabbed in dimples for battery life, and maple syrup drips of reception silenced my inner critic’s commentary on broadened hips, silver streaks, and traces of life’s lines on my face as I approached the man sitting across the room. Continue reading

Atlantis

Photo by Sean Tan, used for three line tales week fifty one, microfiction prompt. Warning of deep water on a pier.
Photo by Sean Tan

The emphasis on political discourse rather than scientific rationale in arriving at 2C was my first experience of the compromises that my degree had not prepared me for; sure, we had the Monte Carlo method to deal with uncertainty in numbers, but no amount of elegant code could model the unpredictability and irrationality of my species.

Months before the inauguration of the Leader of the Free World, my department was earmarked for the puppet show it was to become, strings dangled in wait, to be tied as soon as the acceptance speech concluded; I couldn’t bear to make any more compromises so I resigned and now,  years later, as I wade through my submerged island home, occasionally diving in to retrieve mementos of my sunken world, that decision haunts me more than the sight of a bloated corpse, for I could have been the change that I so desperately wanted to see.

I write this in the hope that if it is found, the world I inhabited is not shrouded in mythology; it happened, we were here, and perhaps our failings can be lessons for whatever or whomever is to come.

 

Inspired by Sonya’s Three Line Tales Week Fifty-One.

A Seat at the Table

Image by Annie Spratt, Sonya's three line tales week fifty, flash fiction / microfiction prompt
Photo by Annie Spratt

Not for the first time, I approached the table that had been set for eleven, my mother’s best plates out for the occasion and a sense of abundance and joie de vivre conjoured on the surface by a decadent floral burst and fruit too waxy to tempt a bite. I stood at the head of the table, guests paused in a still life for my perusal, waiting for their cue. I noted they were all there- my three brothers, mother, father; their faces, clothes, expressions and mannerisms reflected by their mirrored selves across the table; my role as hostess was to select the ‘right’ version of each family member to take a seat, at which point I’d wake to the clammy anxiety of the pre-emptive consequence of getting it wrong, leaving the cold bone china plates empty, my appetite suppressed.

 

Inspired by Sonya’s 3 Line Tales, Week Fifty.

Black Box

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Photo by Grant McCurdy

At parties, he’d tell strangers he was a problem solving janitor, piquing interest to proceed with tales of clearing debris from crash sites, labeling and cataloging pieces of aircraft jig saw to reveal the reason for lives abruptly left behind.

There was the official record, he’d tell them; black boxes that were sole survivors, names, dates of birth, nationalities, scattered corpses confirmed by dental records. For the still interested, and by that point having finished the wine he’d been nursing on first introductions, he’d confide that what he most loved about his job was the unofficial records, stories pieced together after surreptitiously removing film from cameras in varying degrees of integrity, watching traces of lives lost in flight reform in subterranean chemical baths; his new acquaintances usually excused themselves to mingle or get another drink before he had a chance to pull out his little album of best ofs.

 

Inspired by Sonya’s Three Line Tales Week Forty-Five

Crayon Chameleon

Photo of colourful macarons used for a creative writing prompt microfiction/flash fiction for Sonya's three line tales
Photo by Baher Khairy

The silent assassin, a chameleon with a saccharine smile, gracious only in affording her victims their choice of poison. Salivating, they were lulled into a false sense of security with the crayon hued assortment. Nostalgic for the colours of their youth, their mouths moved of their own volition, each bite leaving tell tale crumbs of life’s gradual erosion.

 

Inspired by Sonya’s Three Line Tales, Week Forty Four.