What got me out of bed and into the booth each morning was the thrill of monitoring ceremonies in the Grand Hall; as a rookie, I’d made the mistake of believing those facing away from the masses were the ones to look out for- I’d zoom in on them and make a concerted effort to track the next 5, 10, 20 years of their lives, although it would prove futile; mulling over milestones in their later years, I returned to the Grand Hall footage where with the fortune of hindsight, I drew a correlation between swimming upstream in old age and free flowing movement at graduation; squint and scan the crowd and you’ll see a distinct yellow aura marking them out, all facing the same direction.
The next phase was tracing their descendants and handing over the dossier to Dr Woodrow, chief geneticist at Project Anadromous, a clandestine government initiative that led to the design of biological prêt-à-porter: subcutaneous cloaks fashioned to enable adaptability for a return to the so-called fresh waters of the wearer’s youth, to breed and die, maintaining population equilibrium- a profitable ‘industry’ that did away with nasty taxes, handout recipients, and threats of litigation- therein the fun stopped, gone were my days of naïve people watching, I became the watched.
Now, trapped by the consequences of my actions, I am stuck in a for-loop, endless iterations of life cycles that never deviate from the tedium of days begun in the murky gravel beds of oxygen limited fresh water, graduating to the stinging spray of brine that stretches to the horizon before I make a begrudging return to natal waters, a sacrificial offering for the next generation, treading softly on finite resources while amassing fortunes for the 0.1 percent who’ve had the fiscal and hence genetic fortune of defying the run.
As is their nature, in the cold of winter, they leave for warmer shores. Fortunately, I’ve committed to memory their aerial dance and play it back in slow motion- a frame a minute to allow me to meditate on the aching beauty of their elegant necks and snow-white and black-tipped wings that gracefully stretch for one thousand years and back, thrusting them forward like a ruby crowned dart, before landing with a victorious V, framing the clouds that keep them company.
By the window, I watch and wait, it is all I can do, weighed down by dust and branded by coffee ring marks left on the torn page of the lined notebook that was folded to give me joints with minimal range of movement. The sharp creases of my form serve as lines separating me from them. Pierced and suspended, I float on my winter carousel, replaying memories of the cranes to bide time until the taunting promise of flight that summer brings.
As you may remember, back in October, I went for a run and came back with a glimmer of an idea.
Remind me not to go running again: that little seed grew into a project that has taken up every spare moment since then. But today, most of the hard work is over. Today we launch Draw The Line.
It’s been astonishing to watch, as what I’d conceived as a modest small press project blossomed, and more and more comic artists came on board (139 of them at the final count). Every single one of them is a superstar in my books, but it’s perhaps worth mentioning the bigger names, just to underline how the project grew so much bigger than I’d imagined. So, look out for work by Rachael Ball, Hannah Berry, Kate Charlesworth, Hunt Emerson, Kate Evans, Karrie Fransman, James Harvey, Lucy Knisley, Dave McKean, Fumio Obata…
When Leslie shared her prose for our collaboration with me, I immediately wondered about the title ‘Naomi’. She piqued my curiosity further by hinting that it was a true story. Well, Leslie has now published an extended version, a charming vignette that welcomes the reader to an intimate bar with an interesting cast of characters. Get ready for some people watching as you nurse your beverage of choice…Continue reading →
It seemed the most fun in the fairground was in the small kitchen where Aaron and I worked over the summer; preparing batter and churning out waffle after waffle, talking about our dreams, confiding our fears and laughing the laugh of two people on the same wavelength, a side glance enough to set off a shared, unspoken joke and a fit of giggles. When it quietened down, he’d create masterpieces – a kitten with waffle whiskers, a hot air balloon, and bravely, a telephone- I’d noticed the nerves when he asked for my number as I bit its curly waffle cord, the memory a welcome distraction, my mind wandering, pondering how dull that telephone would look if he were to make it now- imagining straight crisp edges, chocolate sauce dabbed in dimples for battery life, and maple syrup drips of reception silenced my inner critic’s commentary on broadened hips, silver streaks, and traces of life’s lines on my face as I approached the man sitting across the room. Continue reading →
In these increasingly digital yet tactility deficient times, where Post-Truth is the Oxford Dictionaries Word of the Year; advances in technology are raising questions about what a ‘real’ human is; and, laid-off workers turned out in droves to elect a man who claims he’ll serve their immediate employment concerns while deporting that nice family down the road and denying climate change among other questionable policy stances, discussions on authenticity are needed more than ever. Continue reading →
The silent assassin, a chameleon with a saccharine smile, gracious only in affording her victims their choice of poison. Salivating, they were lulled into a false sense of security with the crayon hued assortment. Nostalgic for the colours of their youth, their mouths moved of their own volition, each bite leaving tell tale crumbs of life’s gradual erosion.