The golden days of summer picnics with sweetly scented jam, crusty bread, cold slices and chilled fruit platters live only in our memories – a clear line in our collective consciousness separating time before and after the incident we refer to as The Final March.
The chemical weaponry disoriented many of us, sending the synchronised beat of our hearts off kilter, heady toxins muting all our sensory navigational cues. Only some made it back to the nest where we now reminisce about the old days and remind our young to give the big house a wide berth as we continue what our ancestors have done for millenia.
We hush and tread softly when within sight of the place of carnage, paying our respects to generations wiped out at the callous hands of the then new owner. Marching in single file, we lift far more than our weight.
“No such thing as a free lunch” he’d huffed, but the cost of that meal was an exorbitant act of insecticide.
This story has lived in my phone’s memo app for months. It was time to release it. I may add an illustration at a later date.
As much as she hated needles, Lynne was game for another dose, high spirited for 9 in the morning because Frank was home doing the vacuuming and once their respective chores were complete, they’d join the Senior Spartans on their monthly lunch outing. With the cold infusion slow dripping like a hipster’s coffee- into the orifice forged by the nurse’s ‘… little sting’- there was nothing to do but look around the room, make small talk with the nurse and other patient, or- as was mainly the case- look down at her gnarled hands, driftwood garnished with the ring Frank had given her 55 years earlier- hands that had changed Noel and Fiona’s nappies, held a glass to toast each child’s wedding, cooked countless shepherd’s pies- now too set in their ways to do as Lynne instructs. No way they’d hold the arm of the hoover much less a tennis racket these days, at least not long enough to raise much dust. Continue reading →
When my baby was new to me (and the world), I made up two songs to soothe him to sleep. That baby now sings along to those songs (and occasionally replaces any one of the words with ‘poo’ because that’s the funniest thing in the world, right?). Poo or no poo, there’s nothing more touching than hearing him softly sing along: Continue reading →
and at home in the hessian tones of the captain’s embrace.
Content in all his coats save for the blues of the glistening sea-
he’d failed to shake those drops off when disembarking number nine.
haunt the patina of his bronzed likeness,
unravelling his immortal coil between the
he never sleeps- perchance to dream and lose his footing.
Inspired by Sonya’s Three Line Tales, Week 70 and after the initial concept, inspired further by a ferret down an online rabbit hole that made me stumble and trip on Shakespeare’s Hamlet. I do not claim to have read Hamlet in its entirety but was pleased with how parts of his soliloquy worked with my idea.
What got me out of bed and into the booth each morning was the thrill of monitoring ceremonies in the Grand Hall; as a rookie, I’d made the mistake of believing those facing away from the masses were the ones to look out for- I’d zoom in on them and make a concerted effort to track the next 5, 10, 20 years of their lives, although it would prove futile; mulling over milestones in their later years, I returned to the Grand Hall footage where with the fortune of hindsight, I drew a correlation between swimming upstream in old age and free flowing movement at graduation; squint and scan the crowd and you’ll see a distinct yellow aura marking them out, all facing the same direction.
The next phase was tracing their descendants and handing over the dossier to Dr Woodrow, chief geneticist at Project Anadromous, a clandestine government initiative that led to the design of biological prêt-à-porter: subcutaneous cloaks fashioned to enable adaptability for a return to the so-called fresh waters of the wearer’s youth, to breed and die, maintaining population equilibrium- a profitable ‘industry’ that did away with nasty taxes, handout recipients, and threats of litigation- therein the fun stopped, gone were my days of naïve people watching, I became the watched.
Now, trapped by the consequences of my actions, I am stuck in a for-loop, endless iterations of life cycles that never deviate from the tedium of days begun in the murky gravel beds of oxygen limited fresh water, graduating to the stinging spray of brine that stretches to the horizon before I make a begrudging return to natal waters, a sacrificial offering for the next generation, treading softly on finite resources while amassing fortunes for the 0.1 percent who’ve had the fiscal and hence genetic fortune of defying the run.
As is their nature, in the cold of winter, they leave for warmer shores. Fortunately, I’ve committed to memory their aerial dance and play it back in slow motion- a frame a minute to allow me to meditate on the aching beauty of their elegant necks and snow-white and black-tipped wings that gracefully stretch for one thousand years and back, thrusting them forward like a ruby crowned dart, before landing with a victorious V, framing the clouds that keep them company.
By the window, I watch and wait, it is all I can do, weighed down by dust and branded by coffee ring marks left on the torn page of the lined notebook that was folded to give me joints with minimal range of movement. The sharp creases of my form serve as lines separating me from them. Pierced and suspended, I float on my winter carousel, replaying memories of the cranes to bide time until the taunting promise of flight that summer brings.
As you may remember, back in October, I went for a run and came back with a glimmer of an idea.
Remind me not to go running again: that little seed grew into a project that has taken up every spare moment since then. But today, most of the hard work is over. Today we launch Draw The Line.
It’s been astonishing to watch, as what I’d conceived as a modest small press project blossomed, and more and more comic artists came on board (139 of them at the final count). Every single one of them is a superstar in my books, but it’s perhaps worth mentioning the bigger names, just to underline how the project grew so much bigger than I’d imagined. So, look out for work by Rachael Ball, Hannah Berry, Kate Charlesworth, Hunt Emerson, Kate Evans, Karrie Fransman, James Harvey, Lucy Knisley, Dave McKean, Fumio Obata…