Erasure

Image of Andrew McCall's solid light sculpture You and I - Horizontal II (2009) at Australian Centre for the Moving Image
You and I – Horizontal II, Anthony McCall (2009). Photograph by Richard Baxter.

Read Part 1: Missing Person

Read Part 2: Forrest Trail

Read Part 3: The Droste Effect

Read Part 4: The Order of Things

Read Part 5: Rift Valley

Chaos: When the present determines the future, but the approximate present does not approximately determine the future. Edward Lorenz

Every news channel was streaming the very little details of the case that were known, each trying to get a more ‘exclusive’ angle than their competitors.

Channel Z8 was running an interview with a local grocery store owner.

‘I’ll never forget when that girl disappeared. What was it seventeen, eighteen years ago? Whole life ahead of her, and boom, suddenly gone, just like that. I’d been watching the cricket when one of my customers mentioned her remains had been found. What I want to know is- how the hell did she end up in Siberia of all places? Long way from schoolies week on the Gold Coast…’

The journalist probed for as much anecdotal fluff for the news piece as he could get  ‘You say you knew Eckles? Can you describe him Albert? Can I call you Al?’

‘Yeah, call me Al. He was just like everyone else in the neighbourhood- nothing unusual in his purchases, milk, eggs, bread, fruit, knew enough about sport to keep up a conversation. But he did have a strange tendency to disappear for long periods of time…’

Fiona rolled her eyes at the familiar face getting his 15 minutes of fame. He was milking it, and the journalist was relishing this ‘exclusive insight’. Switching the channel, she saw news item after news item on the same rolling coverage of the case that was set to change the world. Continue reading

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