In case you were wondering what happened to my promise of monthly updates with a post covering each session of my writing course, here is quick summary of events that will make it clear why this post is called Debrief: Session One (again). I experienced issues with my tutor and a little *drama with the course admin that I won’t go into here, although details have been filed away in my story ingredient pantry, on a shelf marked ‘stranger than fiction’. I continued to write in the midst of it all, editing my session one submission as best I could in lieu of a conversation with my initial tutor. The writing school responded to my complaints, assigning me a new tutor and the opportunity to start fresh from the beginning of session one. I resubmitted my revised work which included 600+ words of the opening chapter.
Although in this post I am capturing what happened with a revisit of session one, in real time I am at the start of session three. Continue reading →
This is the first of what will be seven updates on the seven month 3rd draft novel writing course I am currently undertaking. The course is divided into seven sessions, each requiring a submission to my tutor. Once I have digested the session feedback, I’ll be posting on course content, my novel progress and what I have garnered from my tutor’s feedback. Continue reading →
The habits of famous writers are a source of fascination and perhaps inspiration for book lovers and aspiring writers: aesthetics of their writing retreat; curios in their space; rituals performed before sitting down to work; writing tools; and, perhaps ‘easiest’ for the aspiring writer to replicate: their daily word quota.
Should we follow Michael Crichton’s gruelling 10,000 words per day, or keep it easy breezy at Ernest Hemingway’s 500?
To answer this question, I looked at available data on 39 famous writers and drew inferences on: